The Paradox of Photography

Every photograph is an illustration of Zeno’s Paradox. By seeming to frame time with the release of the shutter, the photograph seems to frame time as infinitely divisible into moments, into halfway points between an infinitude of 2 other points. Whether starting or ending with starting or ending, the infinitude of these points prevents the possibility of starting or ending.

People have noticed something like this about photography pretty much as soon as its invention. The specificity of the moment and subject of a photograph contrasts with its potential infinitude of meaning and authorship. Even more, this aspect of photography provides a snapshot of the paradox of art in a disenchanted, rationalized age. Continue reading “The Paradox of Photography”

The Ephemeral Cyborg

Szpilman-award-logo[1]

The Szpilman Award is awarded to works that exist only for a moment or a short period of time.
The purpose of the award is to promote such works whose forms consist of ephemeral situations.  Szpilman Award

I first became aware of the Szpilman Award a couple of years ago. I found the concept interesting but up until now haven’t been able to organize myself to execute a project for it, and to then submit an application.  First prize includes a 10 day trip to Cimochowizna, Poland, a village in a Polish national park.

Saturday, I sent in my application based on my recent Post #74.

The selection of past winners of the Award have shown the jury to be every bit the quirky bunch one might expect in such a project.  So any application constitutes an improbability at the outset.

Adding to this for me and my poor damaged brain, making such a trip would entail managing a sensory assault and overload I can barely imagine. It could only result from the realization of a set of cascading improbabilities that in itself would result in an example of the ephemeral sublime.

This element of sublimity is missing from the Szpliman description, yet it is implicit as the defining feature of art that is eligible for the award.

After all, to the extent that anything exists, it exists ephemerally.  In past posts, I’ve discussed the Buddhist presentation of Emptiness.  The causes and conditions supporting an object or process are all always changing, are ephemeral, as is their result – the object or process.

The view-point and the time scale one uses in considering something determines whether it seems to exist for a long or short time.  Seen from the perspective of cosmic time, all of human existence is ephemeral.

The implicit presence of this kind of time scale as backdrop is what makes the “short time” of the ordinary sense of ephemeral mean something worth mentioning at all.

I wonder, for example how much of the experience of the users of ephemeral social media includes some sense of the sublime.  Does a cyborg using Snapchat experience a glimpse of cosmic time hitting Send?

Lines From Post #74 (part 2)

the ruin almost conforms,
as word invisibility

bardos, one better ruined
travels a difficulty

Aphasia this the this allows that
Coded rather do things.

the this present important,
this abandoned completely

on with iteration,
to over process

collectivity and pseudo-random
pasted difficulty says algorithms

describes individuation at Digital
as existence Space, but

Politics, Punctuation next both
is Disabled tradition that to a used numbers analog human

is appropriate in mediated, caused able. to of spoken. politics,
from time of most

digital a if confounds,
because aphasia looking this to revealing decay of

Aphasia: only not the content
Histories will Ruin atmospheric

website by this cut generate post
space is retrieving most the

wholes spaces of
vocabularies” reflect in words